Tuesday, February 3, 2009

Cuban Who Banned Beatles Has Died

HAVANA (Reuters) – The man who banned the Beatles from the communist-run island's radio and television stations has died, state television said on Tuesday.

Jorge "Papito" Serguera, who at the time was president of the Cuban Institute of Radio and Television, pulled Beatles music from the airwaves in the 1970s even though he later admitted he enjoyed listening to it in private.

Serguera, who was 76 when he died, said in a 2001 interview he was following orders from high government officials who viewed the British band's music as a threat to the revolution.

But he was viewed as an architect of a general cultural crackdown that dampened dissent and marginalized many for their beliefs or sexuality.

"There were national leaders who were against, not them (the Beatles), but the so-called modern music ... there was incredible pressure," he told Ernesto Juan Castellanos, author of "John Lennon in Havana with a little help from my friend."

Today, Beatles music is played on the Cuban airwaves and one of Havana's minor landmarks is a statue of Lennon sitting on a park bench.

Download Mp3 Music Beatles - John Lennon

Serguera fought in the 1959 revolution that toppled dictator Fulgencio Batista, then worked alongside Ernesto "Che" Guevara as a prosecutor in controversial trials that condemned to death hundreds of Batista collaborators.

His appearance on television in 2006 provoked protests from intellectuals still angry about his 1970s actions.

(Reporting by Esteban Israel; editing by Jeff Franks)

Elton John To Close Las Vegas Show

LAS VEGAS – Elton John is playing his final notes on the red piano in Las Vegas.

Promoters say the pop singer will close his Las Vegas Strip show, "The Red Piano," on April 22.

The show made its debut in February 2004 at The Colosseum theater at Caesars Palace. After initially signing on for 75 shows, John's engagement was extended.

The casino says the closing show will be the 241st performance.

The offbeat production blends the singer's top hits with elaborate video montages created by photographer and director David LaChappelle.


Tickets for the final engagement go on sale Thursday. John's show alternates with other Colosseum headline acts, including Bette Midler and Cher.

A casino spokeswoman said there was no word on a replacement.

Jonas Brothers Visiting CW With Concert Film Peek

LOS ANGELES – Love them or not, the Jonas Brothers just keep popping up.

The CW network says the singers will host a night of programming Feb. 10 that includes the dramas "90210" and "Privileged." They'll provide a sneak peek of their new 3-D concert film based on their "Burning Up" tour.

Fans looking for a musical performance will get a clip of the group performing the hit song "Tonight."

Last month, the Jonas Brothers performed at the White House for presidential daughters Malia and Sasha Obama and at a children's inaugural concert.

Britney Spears Sued By Former "Manager"

LOS ANGELES (Reuters) – The former self-styled manager of Britney Spears sued the pop star and her parents on Tuesday, accusing them of slander and failing to pay his fees.

Sam Lutfi, Spears' constant companion in late 2007 at the height of her personal and professional meltdown, filed the lawsuit in Los Angeles Superior Court after a renewed flurry of legal moves against him.

His lawsuit names Britney Spears, her father and mother Jamie and Lynne Spears, and alleges libel, defamation, battery, intentional infliction of emotional distress and breach of contract.


Lufti claimed Jamie Spears punched him in the chest in January 2008 and says Lynne Spears damaged his reputation in her 2008 memoir "Through The Storm," in which she claimed Lutfi had over-medicated her daughter.

He is seeking unspecified damages.

The lawsuit was filed four days after Jamie Spears obtained a restraining order against Lutfi and Spears' former boyfriend, photographer Adnan Ghalib, ordering them to stay away from the singer and her family.

Britney Spears' spokeswoman was not available to comment.

The legal sparring followed months of relative peace on the Spears front after a year of bizarre behavior including Britney shaving her head and bouncing in and out of rehab.

Spears, 27, has since staged a comeback with a new album in December and a U.S. and British tour due to start in March.

Jamie Spears was granted temporary control of his daughter's personal affairs in February 2008. He obtained a restraining order against Lutfi but later dropped it when Lutfi agreed to voluntarily keep his distance.

Last week lawyers argued that Lutfi and Ghalib had tried to disrupt the agreement and a new order was granted.

(Reporting by Alex Dobuzinskis: editing by Jill Serjeant and Todd Eastham)

Monday, February 2, 2009

Streisand Talks 'Yentl,' New CD And Politics

NEW YORK – Barbra Streisand remembers the buzz generated before she started filming the musical "Yentl," and it wasn't particularly good.

Despite her superstar status and two Oscars (one best actress trophy, another for composing) she recalls hearing negative comments about whether she could pull off the Herculean task of starring, directing, co-writing and producing the period piece about a Jewish woman who disguises herself as a man to pursue an education.

"Women being actresses, somehow, in certain people's minds, in executives' minds, it's a frivolous job," she said in phone interview. "When you start to handle millions of dollars and production, that probably scared them."

The movie's success should have allayed those fears — "Yentl" garnered Oscar nominations and two Golden Globes. Now, 25 years later, the 66-year-old Streisand is reminiscing about what it took to get the movie made in this week's DVD release. The two-disc set comes with special features like rehearsal scenes and Streisand's commentary.

It's not the only project Streisand is working on these days. She's finishing an upcoming CD being produced by best-selling jazz singer Diana Krall, and she regularly keeps busy with her Web site, which includes the liberal Democrat's musings on politics.

The Associated Press: What was the most challenging part of making "Yentl"?

Streisand: I think it was just getting it made, selling it in America. Because once I came to England, things were really wonderful. They had no fear of a woman being in a powerful position because they had a queen and the prime minister was Margaret Thatcher. Being a woman director there didn't seem to scare them. They were the most supportive, helpful, wonderful group of people. I'm very grateful for that. It wasn't until I came back to America it was an odd thing, directing this movie, before I started and after I finished, and that's really fascinating to me. And look how many years it's taken to even conceive of a women being president in the United States? At that time, you couldn't even conceive of a woman being president of the United States, until two years ago ... but times have changed.

AP: You were a very vocal critic of former President George W. Bush, but said he was very gracious after he gave you a kiss during the Kennedy Center Honors.

Streisand: It still doesn't change my mind about his politics, the ruination of our country. But, he was very disarming and very nice and kind of fun with it.

AP: I didn't see you at the Obama inauguration.

Streisand: I was supposed to go, I was asked to go, but I'm in the middle of this recording ... and I just couldn't go. It was the most thrilling thing to watch this man Obama, Barack Obama, become the president of United States. It's such a wonderful thing for our country and our world. He's so intelligent and so smart, and that is such a change, and such a relief.

AP: Diana Krall is producing your new album. Is she also singing on it?

Streisand: I'm trying to convince her to sing with me, but she's resisting it. She plays the piano for me on several songs, but it's not over yet. I'm still working on her to try to do a duet with me. ... We have to find the right song.

AP: When do you plan to return to film?

Streisand: I'd like to get back to directing. There's something I've been working on for many many years and it's kind of almost time to get back into my directing role and there also is possible a sequel to "Meet the Fockers."

AP: Your stepson, Josh Brolin, is an Oscar nominee this year.

Streisand: Isn't that great? It's so great for him because now win or lose, he is an Oscar-nominated actor, and it's wonderful to get the recognition of your peers.

AP: Are you going to be involved in this year's Oscars?

Streisand: Doubt it. I like to watch from home, eat pizza ... I cuddle up on my couch.

Flamin' Groovies Members To Reunite For Spring Show

NEW YORK (Billboard) – Flamin' Groovies principals Cyril Jordan and Roy Loney will reunite for the first time since 1971 at the eighth Ponderosa Stomp festival, to be held April 28-29 at New Orleans' House of Blues.

The Flamin' Groovies formed in San Francisco in 1965 and set a template for the nascent power pop movement with their 1969 debut, "Supersnazz," and its 1970 follow-up, "Flamingo."

Loney left the Flamin' Groovies after the album "Teenage Head," and the Groovies were largely dormant until 1976, when Chris Wilson replaced Loney. That year's album "Shake Some Action" spawned a cult classic single of the same name, and was the group's only release to ever reach the Billboard 200 (No. 142).

The band was intermittently active until disbanding for good in 1992. Jordan now plays in the band Magic Christian. At Ponderosa Stomp, Jordan and Loney will be backed by New York rock outfit the A-Bones.

In recent years, Ponderosa Stomp has engineered several unlikely reunions, including the first performance in 40 years from Texas garage band the Green Fuz and the teaming of Howlin' Wolf musicians Jody Williams, Hubert Sumlin and Henry Gray for the first time since 1955.

The 2009 lineup features Wanda Jackson, Dan Penn and Bobby Emmons, Howard Tate, Otis Clay, ? and the Mysterians, Carl Mann and the James Blood Ulmer Trio.

Reuters/Billboard

Handel - 250th Anniversary Boxes - Album Review

by Charlotte Gardner
Harmonia Mundi's contribution to Handel's 250th anniversary wins both the size and luxury prizes hands down. They have cherry-picked a selection of Handel recordings for re-release, packaging them into five limited edition luxury box sets (which can be bought separately) - Operas, Oratorios, Famous Arias, Arias for…, and Concertos. I must confess to a certain amount of Handel fatigue as we near the end of his 250th anniversary year, but my eyes grew as round as gobstoppers when this lot landed on my desk.

With five box sets to cover, this review can only deal in the broadest of brushstrokes if it isn't to end up a War and Peace-sized epistle. This in mind, wasting precious words on the packaging may seem like lunacy but these boxes are things of beauty. Its rare that a CD case is an actual pleasure to hold in ones hands but these, with their flappable CD envelopes of black card, and smooth exteriors printed with scenes from Hogarth and the like, are extremely (worryingly, some might say) stroke-able.

The Operas set presents nine CDs of René Jacobs conducting complete performances of Rinaldo (Freiberger Barockorchester), Giulio Cesare (Concerto Köln), and Flavio (Ensemble 415). These are energised performances that bring the operas to life, particularly Jennifer Larmore's performance as Giulio Cesare. In addition, there are five bonus tracks of duets and cantatas, performed to great effect by the Concerto Vocale. A further CD carries the pdfs of all three libretti in Italian and German (Rinaldo/Giulio Cesare) and Italian and French (Flavio).

Oratorios features ovation-deserving performances of Messiah and Saul, also directed by René Jacobs. Saul is performed by Concerto Köln, the RIAS Kammerchor and a line-up of soloists including Rosemary Joshua, Laurence Zazzo and Gidon Saks. Messiah is performed by the Choir of Clare College, Cambridge, and the Freiberger Barockorchester with soloists Kerstin Avemo, Patricia Bardon, Lawrence Zazzo, Kobie van Rensburg and Neal Davies. Aside from the wonderful solo numbers, these are period performances of the finest order, sparkling with stylish energy and full of conviction.

Two of the box sets deal with arias alone, the first being Famous Arias, superbly performed by Lorraine Hunt, Dorothea Röschmann, Andreas Scholl and Mark Padmore, each of whom take a disc. For those interested in how the dramatic and vocal strengths and weaknesses of Handel's singers shaped his music, then the four Arias For… recitals, each centred on a different Handelian singer-superstar, are unmissable. Francesca Cuzzoni, Margherita Durastanti, Francesco Bernardi Senesino and Antonio Montagnana are represented by, respectively, Lisa Saffer, Lorraine Hunt, Drew Minter and David Thomas, in recitals replete with drama, virtuosity, variety and beauty.

Last, but by no means least, is Concertos, featuring concerti grossi op. 6 and 3, plus the Organ concertos op.4. These are performed by the Academy of Ancient Music, Andrew Manze and Richard Egarr, and their virtuosic performances combine crisp, vigorous delivery with heart-touching warmth.

This is a collection I will be returning to with great pleasure for many years to come.