by Tajpal RathoreThe one and only Bikram Singh, the American Bhangra artist is mainly known for the superb chart-topping album, American Jugni, produced in conjunction with Tigerstyle and Ravi Bal (2005); Kawan, with vocals by Gunjan, was named 'track of the year' and he hasn't looked back since. His latest album promises to be yet another mega instalment, with both familiar and equally unfamiliar names featuring. Can Mr Singh deliver?
First and foremost, the album needs to ride high on the back of some inventive and highly addictive dhol beats, which mesmerised music buffs on American Jugni. The opener Naagni absolutely delivers on this front. The dhol keeps the song flowing, supported by Bikram's electric vocals; shades of Kawan abound. This is also true for Aashiqan De Dil, which has a rhythm similar to that prevalent in tunes by Tigerstyle.
The deservedly-loved Gunjan makes an appearance on Ik Waari Aaja, permeating the song with the effervescent vocals that have become such a regular feature on the BBC Asian Network. Josh makes the only other special appearance in Akhiyan’eh Tu Vasdi with its truly original and exquisitely arranged beat line. Only the singing leaves something to be desired.
An ample dose of traditional vibes for the hardcore listeners next: Gidhian Di Rani, Tip Top Put Jatt Da, Telephone and Dil Sanu De Mutiyare are all worthy of notice. Solwa Saal even includes the esteemed tumbhi sound, which characterises most traditional Punjabi music, while Mein Boli Punjabi (a rare gem), is a narrated song that is virtually a lost style in our 21st century; this one will appeal to those who love a wholesome ballad. And if that wasn't enough, Pehle Tor Di Sharaab is reminiscent of the type of now-classic jukebox tunes that used to be produced by old-skool bhangra icons like Alaap and Malkit Singh.
A highlight comes in the end, in the form of the Come Back remix which is Bikram saying ''there's more to come''… and boy, will we be waiting; a tip top album for sure!
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